Tuesday, 29 January 2013

Dinagyangman

fiction by Roger B Rueda

Crowds of people poured into the streets of Iloilo City Centre. I pushed my way through them. It was hot and getting hotter. There was a great crash and then a long roll of drums. The first tribe to perform was something to get excited about. My camera started clicking as soon as the tribe stepped in the performing area. I didn’t bring anything except my Galaxy S3 – I was well aware of pickpockets.

I entered into the spirit of the occasion and stood beside a man who was beside himself with excitement. He turned to look at me. I smiled at him. His eyes smiled up at me.

I was all alone in the middle of the crowds, enjoying my life as throughout the street, the views were a constant source of surprise and delight, vibrant rhythms all over.

‘Excuse me,’ the crowd were enormously enthusiastic, so it was not easy to get through. The heat and the noise made me sleepy. I began to get dizzy spells. I looked at him again; his neck had henna tattoo. He winked at me, as if he knew I was thinking the same thing that he was.

I took a step away from him, but his face lingered on in my mind. I walked away, eyes shut, body tense. I began to perspire heavily.  My skin was tanned and glowing from my day at the Dinagyang.

I edged a little closer to some buildings. I trudged wearily down Mapa Street. After quenching my thirst with a long drink of cold water, I needed to snack on some sandwich and tea. All the shops were congested with spectators.

I went in a small café in a lobby of a small hotel. I sat in the corner and browsed through the pages of a magazine, some newspapers lying on a nearby couch. I had been to the café several times, so it was such a comfortable haunt to me already. The server appeared. ‘Do you have Darjeeling?’ He nodded and smiled.

After a few minutes of sipping at my tea, fresh groups of guest arrived. Suddenly, the lobby got crowded and noisy. Judging from their looks, it seemed they were all worn-out. After drinking cans of juice, they noisily slipped away. One guy came and sat down on the couch. His breath came in short pants. He turned his head left to right. Out of the corner of his eye he saw that I was looking at him. I was painfully shy of him – he was the guy I had seen in the crowd. The tea gave me a choking fit.

I turned my chair to face the door and continued with my reading.

‘I’m Ralph,’ he tapped me on the shoulder. He had a big smile on his face. I gave him a hearty handshake. He stood still for longer than a few minutes – it was quite a shock to meet a handsome man with a beautiful voice. Then, I had thought someone came to me, but it had just been a dream. Now, it was real.

‘Please take a seat.’ I smiled warmly so he wouldn't see my nervousness. We exchanged addresses and numbers. He ordered a beer and a sandwich.

We chatted about many things. He was quite an interesting man. We eyed each other thoughtfully.

‘Where are you from?’ I asked.  I was intensely curious about the world he came from.

‘I am from San Miguel.’ I didn’t know much of San Miguel. I only knew one there – Rowena, my co-worker.

‘How about you?’ He lifted the beer can to his lips and sipped.

‘I’m from Mandurriao.’ I bit into my sandwich. ‘Manduarriao and San Miguel are cheek by jowl.’

‘So how’s the Dinagyang?’ he asked. ‘I like the Panayanon,’ he added.

‘Romel Flogen choreographs the tribe,’ I told him as if he was from another city.

‘Really, I thought he choreographs the tribe from Fort Sant Pedro.’ He was curiously innocent about it. He brushed his hair back with both hands.

‘Yes, that was last year. See, now, that tribe isn’t joining. That’s why he accepted the job.’ I had to pause to clear my throat. I sipped at the cup and then put it down.

‘I’m really amazed by their performance. I thought the Panayanon is from Fort San Pedro.’ He sipped from his beer can, watching me over the rim.

‘Hahaha, it’s of the Iloilo City National High School.’ I laughed with pleasure. We got along famously.

‘I need to go,’ his iPhone was ringing off. He quickly gulped his beer. He said a hurried goodbye and walked out of the café.

‘I’ll be at the ASAP 18 later, at the sports complex. I think after I’ve eaten lunch,’ I called out as he was heading the main entrance of the hotel.


***

While I was lying in bed, my phone tweeted. ‘i’l b in smallville. jst mssge me wn ur thr. c u.’ I didn’t go to the sports complex. I got bored, thinking how crowded it was – it was like spending an hour or two in torment.

I had a shower and went out early – I needed to be there earlier than him. I fell under his spell, perhaps. There was something about him that mesmerised me, I thought.

It took a long time to wash the dirt out of my hair and my whole body. I wore my cleanest pants, a clean shirt and a navy blazer.

***
As one might expect, Smallville was full of partyers. The cars choked the roads. As the taxi drew off in front of Coffeebreak, I got off. I felt a little nervous. I was in a state of great excitement.

‘Vir,’ someone called out my name.  Ralph was sitting all alone at a table outside the coffee shop. He waved at me as if we were so familiar – as if we had met and known each other since long time ago.

‘Who’s with you?’ I greeted him with a smile.

‘No one.’ He looked at me openly.

I pulled a chair and sat facing him. ‘Wait a minute,’ I told him. ‘Do you want something?’

‘Just buy prune juice,’ he replied as I was meaning to stand.

I went in the coffee shop and ordered some Tuna Casserole and Hot Americano – and a bottle of prune juice. Ralph was busy surfing the Net looking for information on Korean music on his iPhone.

I went back too soon – the server was the one to bring all my orders.

‘Do you have a lover?’ he asked as I was trying to transfer my bag to the other chair.

I didn't say anything. Eventually I overcame my shyness.‘Ah, I had two – but now I don’t have. It has been years.’ I looked at him with all honesty.

The server laid all my orders on the table and handed the prune juice to Ralph as I told him.

‘Me, too,’ he mumbled as he was running his finger around the lip of the prune juice bottle. From time to time, he turned his attention back to the street.

We nattered into the night till a blue-grey dawn and till a spot of rain fell on his hand.

‘Let’s go,’ he suggested.  He dashed and locked himself in the small toilet of the coffee shop.

***

His car was parked up across the street towards MO2. ‘Let’s go to my car,’ he told me pointing his lips at the white Santa Fe. We crossed over and got in the car. He hugged me tightly to his chest and licked my lips.

When he started the car, which hummed smoothly, I was at sea about where we were heading. But I just committed myself to him, as if by instinct. I didn't know why I believed a stranger I’d never seen for my whole life. I was like a fluffy white cloud floating across the sky as the sun came out briefly. It was a breezy day. It was a scene of such sheer bliss.








Wednesday, 23 January 2013

A Leap in the Dark

fiction by Roger B Rueda

Rowena, my co-worker, went to bed early and slept like a log. I took in I was the last person stirring, apart from the hosts, Rowena's maiden aunts, so I prepared to go. They noticed that I was staring at them, so they gave me a couple of sofa cushions and insisted that I crash in the spare room, if I could find any floor space. 

I'd got to consider the distance of San Miguel, a town on the outskirts of Iloilo City. Taking a taxi from there to my house had a slim chance - besides, it was far too dangerous.

I got up and weaved my way through the debris from the house party. The hosts showed me the way and bid me goodnight. As I climbed the stairs, the light dimmed until I was feeling my way along the walls.

I stepped over bodies asleep on the landing. I nearly toppled over twice, my balance compromised by holding the bulky sofa cushions. I felt my way to the spare room door, and groped around in vain for a light switch.

Giving up, I swept my foot along the floor, trying to find an empty space in the pitch blackness. But there were people sleeping here too, and no space for sofa cushions.

My thigh brushed against something - a bed. I abandoned the sofa cushions at the foot of someone in a sleeping bag, whose drunken lack of consciousness was deep enough that he or she failed to notice.

I felt along the width of the bed. When my hands hit nothing, I became bolder and felt further up. To my surprise, the bed seemed empty.

I climbed aboard, running my tongue over my unclear teeth and regretting that I would not brush them tonight. As soon as I became horizontal, my head gently throbbed as if I had been awake so long my hangover was already kicking in.

I lay full length on one side of the bed and stripped down to my boxers in the dark. I ditched my clothes next to me on the bed and felt around for a pillow.

‘Yes!’

‘Oh! I'm sorry,’ I whispered to the boy that had shrieked when I put my hand on some bare part of his skin. He had been curled up in one small corner of the bed. ‘I didn't know you were there!’

‘I wasn't,’ he laughed nervously.

I carefully reached out into the dark to find my clothes. ‘I'll find a space on the floor.’

‘Don't be so weird,’ he sighed groggily, stretching out so that an arm and a leg pinned me back to the bed. ‘This is a big bed. We can share it.’

***
He rolled away from me. It crossed my mind that he had perhaps just pushed my clothes off the bed onto some unsuspecting drunkard sleeping on the floor.

‘I do move around a lot though,’ he said. ‘Pardon me if I disturb you.’ He jumbled up somewhere in the dark.

‘I'll be fine, I'm a deep sleeper.’

‘Pity. I'm a restive.’

There was a moment of silence. I felt certain that we were the last two people awake for miles. He squirmed, brushing my thigh. 

‘What's your name?’

He told me and I forgot it instantly. I remember it as JP, but that's a guess. I know my memory of the night is faulty because I can almost recall how he looked, but I never saw him.

He didn't ask me my name. He asked me what I did for a living.

‘I work for the government,’ I answered.

‘What do you really want to do?’

‘Well, I want to be a writer. One day. But that's not going to make me a living, at least not yet. So I have to do a job.’


***

‘You know what you want to do. That's amazing.’

‘Yes. Although sometimes I feel like I'm deluding myself. If I want to write I should be writing.’

‘I know how you feel,’ he confided, shifting again. I could hear from his voice that he was facing me directly now. ‘I'm living a dead-end life.’

‘What do you mean?’

‘I have no idea what I want to do. So I'm doing a menial job because it's easy. I'm just killing time until…’ He paused.

‘Until what?’

‘Exactly. Until what. It's disappointing.’

I felt a wave of drunkenness wash over me. My eyes saw dancing patterns in the black. ‘How old are you?’ I asked.

‘Eighteen.’

‘So you're of legal age already. You're only able to make your own decisions about your life. People, like wine, improve with age.’ He sighed.

‘Do whatever you want.’

‘I don't know what I want. There are too many options; it's bewildering. Meanwhile, I'm coasting along the path of least resistance. I don't want anything badly enough to pour my heart and soul into it - I admire people that do.’

‘Ah, the curse of freedom,’ I countered with mild indifference.

‘Precisely. We have too much freedom. It's a sickness. A hundred years ago, we would have been allocated a job for life, and a partner for life. And our decisions would be dictated by a firm moral code in the form of religion. And ambition was defined merely as rising above those modest expectations.’

‘I see what you mean,’ I admitted. ‘When there's only one path, there's one way to succeed and one way to fail. And now we have a million ways to fail. But we also have so many more ways to succeed.’

‘Success is impossible when everyone has such freedom, because there's always someone out there doing it better than you. When conformity was the rule, success was easy.’


***

I jumped as he reached over and tickled me. I laughed, trying to stay quiet, and reflexively slapped his arms away. It was a thrill, flirting with this stranger in the dark.

He dived for my midriff again with tickling fingers and I took his wrists and pushed them back towards him. I brushed against his torso and snapped my hands away.

‘What are you wearing?’ I asked.

‘Just underpants,’ he replied. 

‘Sorry I touched you.’

‘Don't worry, it was my fault.’

‘Are you going to sleep like that?’

‘Oh, no. I'm an insomniac. I probably won't sleep at all.’

He was much closer now, I could feel it. I could smell his skin. I self-consciously moved my arm so that it was touching him, but only barely. Probably his leg. I tried to make it seem casual, as if it was the result of inadvertent restlessness in the dark, but I left it there, feeling his warmth.

‘I just want to be different, you know, inimitable,’ he murmured, more gently than before.

‘Everyone's just unique.’

‘That's the problem.’

I felt tired, and I let his words wash over me. A couple of times I thought I had responded, but then realised I hadn't, and I had to make a real effort to lift the conscious part of my brain into speech.

But then I felt his hand touching me, searching. I became wide awake again. I shrank away as his hand wandered dangerously close to my groin. I would be embarrassed if he touched me there, especially at that moment.

The silence became as complete as the darkness as his wandering hand persisted, and found me. My breathing deepened as he massaged me beneath my boxer shorts. I closed my eyes and visualised his there.

Without stopping, he took my hand and placed it on his. With all my other senses stifled, I quivered with the pleasure of his touch, his texture.

Then I heard his gentle breathing become irregular, and I remembered that we were not alone in this room. Yet we were each more alone than ever.

He retreated for a tantalising moment and I heard the tell-tale sound of his briefs being slipped off. There was movement on the bed, and suddenly I was aware that he was invisibly straddling me.


***

He pulled down my boxer shorts and put his inside me. Warm and yielding, I enveloped him. Neither of us moved at first, just savouring the sensation.

Softly, he rocked. I put my hands on his sides, feeling taut stomach muscles, and he came. I gasped as the rhythmic gripping pulled me over the edge and orgasm rippled through him, and into mine.

Then it was as if he disappeared, as if he disengaged and left without me noticing. The bed felt empty. I must have fallen asleep.

I awoke feeling tired, as if I had not slept but been out cold. Any hangover I deserved had passed. Thick draperies had been pulled aside and the sun shone through the windows.

There were still some party guests sleeping haphazardly on the floor, but I was alone on the bed. I closed my eyes for a few minutes, hesitant to face the world, remembering JP. Then I got up.

There was more floor space now; some guests had gone. I found a bathroom and splashed water on my face. I borrowed a toothbrush and cleaned my mouth out.

I dared to venture back into the bedroom to look for my clothes. As I cast my eyes about the room I looked for faces that might be his.

Once dressed, I followed the smell of cooking breakfast downstairs and found the hosts with a smattering of guests. My recall of names and faces is unreliable at best, but when alcohol is thrown into the mix I don't even bother trying.

I made small talk and ate fried boneless milkfish and rice flavoured with fragrant screw pine and took my coffee white with Cofeemate. My eyes absorbed every face in the room and I tried to guess. None of them gave me any signal. No naughty secrets were coaxed into mischievous smiles on account of my eye contact.

But he wouldn't have known who I was. He never saw me, and I never told him my name. I wasn't even sure of his. I didn't know how to breach it in conversation - it would be embarrassing if I asked after JP and it turned out he was there.

The guests must have thought I was suffering from some kind of unreasonable worry, my eyes flicking back and forth between them, weighing each of them each up in turn as if I suspected them of pouncing.

I thought I'd look for his name at Facebook. 

***
The breakfast they made was sheer ambrosia. As it settled in my stomach, I let go. It was purer as a secret as the details of it remained cloaked in mystery. Then I bid all Rowena's maiden aunts a fond goodbye.






Tuesday, 22 January 2013

A Thorn in My Side

a poem by Roger B Rueda

for Rytha Mae

I feel a prickle of disquiet – my blood flowing
fast round my body.
I feel my fingers growing numb
at my tips.
My legs feel numb and my toes ached.
I feel a bit under the weather.
This stretches my imagination
and draws me out to a threshold.
I shake in my shoes.
The pity is that it is all completely unnecessary.
I look in the mirror
and see that my face is covered in terror.
I pray that God judge me with mercy.
I whisper His name
and the Trinity.
I turn to look at him but close my eyes –
I’m a martyr to my life.
My immortal soul seems in peril
as the howling wind sounds
like the wailing of lost souls.
I close my eyes and imagine I’m in bliss.
Slowly, I release my breath
through clenched teeth,
my word almost broken.
I touch my other spine and squeeze it dry.
The night is spent in prayer then,
tears welling up.
My thorn, someday, I’ll thank you –
for the life you’ve picked up and fatefully held dear.


Wednesday, 9 January 2013

The Dinagyang

an essay by Roger B Rueda

Early December, in the small hours, the whole city resounds with the thuds of beats on drums, in the distance. They are rhythmical, very marvellous, wafting out everywhere. Shoppers at the city centre tarry on the street corner looking at the drummers. Everyone thrills at the coming of their favourite festival.

All the details of the Dinagyang are fresh in my memory. The city centre, which has narrow streets, is closed for the festival. Drivers stop their jeepneys and commuters have to walk a hundred steps from Jalandoni Street in Jaro District to the city centre. The Forbes Bridge becomes busy with walkers. People swarm to the shops along the streets, buying up everything in sight – everywhere is packed with men, women, and children. Both locals and tourists are bursting with energy and vivacity.

Every mall is teeming with shoppers, music blaring out. Their lobbies are chock-a-block with spectators and merrymakers. Everyone joins the festival with spirit. Dinagyang costumes, props, and photographs are on exhibition at almost all local shops. The city is full of atmosphere and well worth visiting.

Every tribe is dressed in their finest attire. Last year, I loved the tribe whose costume motif was a jungle. Each member then was dressed in creeper-like cloths. The tribe whose headdress was made of rooster tail feathers and mats made of buri leaves was also charming. Their female members had cute curly wigs. When they gathered round, they looked a lot like real Atis.

The backdrops and props of every tribe provide a matchless experience, their presence a cultural means for the Ilonggos. The ones I can’t forget are the humongous heads of an Ati man and a prodigious Santo Nino. Too, the trees that were magically transported through the streets. Way off, they looked great and eye-catching. Actually, I happened to pose with them for some photographs, banderitas strung up over the street.

The dances of every ethnic group put together well enliven the mundane realities of life. They are an engrossing part of the festival, I believe. With incredible swiftness, the tribes whirl around the streets of the city centre and La Paz District. One at a time, a tribe prances as they move to another performing area. Some are rushed off their feet pulling their backdrops as some are enjoying posing with the crowds. Some members are thirsty and almost bushed, so they might ask for some bottles of water. Just be kind and generous – it’s supporting the Dinagyang in your own little way.

This year, the Ati Contest, the best bit of the Dinagyang, is on 27 January. Spectators have to be at the city centre as early as 7 AM. Everyone at the Dinagyang are packed in like sardines - blending into the crowds is  a scramble.

By the way, 'dinagyang' means 'to enjoy ourselves as one.' It means, too, as 'a sort of gaiety.' It can also mean 'to be full of glee.' More than that, however, 'dinagyang' means 'celebrating the history and culture of the Ilonggo as a people' - it is a celebration that bewitches everyone at the streets, as Ilonggos share their culture, belief, and sense of worth with everyone around.

Largely, the festival rekindles olden times and celebrations, fostering solidarity amongst the people as they look back on their endeavours with pride. It is a festival of distinctiveness, of Ilonggohood.

Happy Dinagyang, everyone! Welcome to Iloilo City, la muy noble ciudad!

This year's celebration promises to be terrifically good fun, so for more information about the Dinagyang, visit http://dinagyangsailoilo.com/.








































































































Sunday, 6 January 2013

The Wild Vines by the Diversion Road in Mandurriao District


a poem by Roger B Rueda

creep on the ground and bushes
in front of a hotel
having been being raised
for weeks.
Everything in fine fettle,
their purplish inflorescences
revere the sky.
They greet every labourer,
who knows no flower,
each day with the mystical inner whorl
of their perianths -
Their magic
doesn't bewitch their eyes,
their fragrance filling the air,
their thingness sublime.
A sweeping car park is next to be built.

Saturday, 5 January 2013

Infection

fiction by Roger B Rueda

He felt a sharp pain in his stomach. He sat up and tried to know what was wrong with it. All of forty-nine, never did he experience such a curious pain that was as if gnawing his insides.

A doctor himself, Edgar observed the pain and he knew it was not a usual pain because it seemed the pain was so fresh.

He didn’t sleep anymore. He took the novel he was reading and began to bury himself in it. His wife was by him, sleeping deeply. He looked at her and covered her up with a blanket.

After an hour, Edgar began to vomit up blood. He was on the toilet when his wife got up.

‘Honey, what’s wrong with you?’ Venus asked, trying to get some sort of answer.

‘I must have eaten something,’ he said, he wanted to hide his situation at first, for he didn’t want her to worry. ‘Please hand me my antacid.’

***

Edgar didn’t pursue his plan to move to the US, though, of course, everything was ready and there was a job waiting for him there. He decided to stay in the Philippines and tried to know what was wrong with him, because his laboratory results showed nothing and there was nothing wrong with his body. However, the pain he could feel was undeniable. He carried out some fascinating research into that pain. There was no known cure for his disease, so since then he had given himself over to his infection.

Following a routine checkup, Edgar was discovered to have an unknown disease. That shocked his friend into helping him to find a cure for his disease. There was a little birdlike organism with a pointed beak and darting eyes inside his abdomen. It would scratch about searching with its beak for fresh blood. It would ruffle its feathers and he was really quite uncomfortable. He would drink fresh human blood to stop all the pain he would feel, but it was eating into his savings, so it started to worry him.

One evening, he walked home from the hospital where he was working. He fainted dead away when he was at the village green, but it took him a short while to recover. He crawled across the street and in the woods. The thought of fresh blood made him salivate. When he saw a man, he ran to him, grabbed a hold of his legs and held on so he could not get away, and bit into his neck. The helpless man was shouting his head off. He then stabbed at the chest with a stick and scooped out his liver. The next morning the news that a man was killed by a supernatural being took everyone by surprise.

Edgar got really angry with himself while he was eating breakfast in front of the TV. He attempted suicide, but he was so weak to pluck up the courage to do it. He had a fear of death. Besides, he was a Christian. He had faith in modern medicine, so he hoped and prayed that the research would go well.

His wife had got plenty of jobs to keep her busy. Her work involved a lot of travelling, so they would meet for lunch once or twice a month.

His sons were both reading medicine abroad.

He had been keeping a diary for twelve years now and one by one he would narrate the sequence of events which led up to the disaster. Strangely, no one would believe him when he would tell them he had been infected by a strange disease, so he wanted to manage to keep his illness secret from his family until he was well.

The birdlike organism in his abdomen grew large branching horns called antlers. When it was wild with hunger, it would flap its wings furiously and fly upwards to his throat. He had to endure the pain. He would close his eyes and lie in his bed screaming in agony. Sometimes, he would cry himself to sleep.

***

Edgar and Venus got married twenty five years ago. They were childhood playmates. He went to Iloilo, in a hick town, on holiday and stayed in a manor house his maternal grandparents owned. There he met Venus, a daughter of a market gardener. They and the other children spent the afternoon playing on the farm.

He hadn't seen her since that memorable evening of Dinagyang when he left Iloilo until he bumped into her tray, knocking the food onto her lap, at the university cafeteria. In those early months, there was a very close bond between them. They courted for five years before getting married.

***

Edgar, a month before his illness, went to Iloilo for their summer holiday. Venus went with him but returned to Manila after three days. Edgar stayed at the manor house with his in-laws, who are both centenarian. They gently tended him. They seemed a lot happier since they met him. They cooked him special meals. One of Venus’s cousins brought them a pig. The couple, on that day, tied the pig's leg across its chest and lugged it along, keeping it off balance. The old couple struggled to attach a second cord and pulled its legs back to expose its throat. One puncture began an inexorable flood of blood, and death came after a minute of unanswered trumpeting calls for help.

The pig almost broke free of its bonds, giving everyone a fright, and granting the couple a higher feeling of accomplishment when it was dead.

The couple cleaned the hair off the pig. Edgar couldn’t believe his eyes how they had been working energetically all morning. He was not allowed to help kill the pig nor cook the meals. So, he with his nephew exercised in the garden.

They served him a bowl of blood stew and barbecued liver at lunch.

After lunch, he took a little nap. Several poor children and their parents were waiting for him in the yard to consult with him, but he felt slightly dizzy and disoriented, so he excused himself and went inside his room. He vomited up all he had just eaten. His saliva seemed like letting it fall on the string. He was genuinely surprised at what happened to him.

In the night, the couple cooked him valenciana, sisig, and menudo. He buried himself in a novel.

***

Their neighbour died an agonising death. So now his funeral wake was in progress. When he went there, the family shooed him out of the house. They were glaring at him and muttering something. Most people hated his in-laws, but they didn't dare to say so. Edgar would nod as though he understood the people he would meet.

***

Edgar recalled that he first vomited up during his latest vacation in Iloilo. He could vividly remember the feeling of pain and horror.  It seemed that he had profound amnesia and now he was beginning to recover from it. It suddenly occurred in his mind that it must have been the food he ate that had caused his illness.

His skin turned so brownish and black. Minutes later some feathers grew and his hands became his wings. He couldn’t stop himself. He went out of the house and flapped his wings noisily. He then emerged to the roof of the house. He couldn’t believe that situation, but he seemed like dreaming. He perched on the mango tree to try how good he was at flying. He was so brisk and he flew and flew, soaring thousands of feet high in the sky. He could feel, too, how his eyesight had become sharp and he could see even the smallest creature on land. He was beginning to like his situation. But he was worried that his friends might disdain him or might condemn him whenever they’d discover he was so mystical.

***

Edgar's tinted glasses are perched precariously on the bridge of his nose. Without them, a loud reddish glow lit his eyes. People in front of him cast their shadows over his eyes, in reverse, however, so he could not look anyone in the eye. He was wild with pain whenever someone saw an image on his eyes.

Edgar went everywhere for treatment, tried all sorts of quacks, until he met a witch-doctor. He has to learn the most ancient, and holiest aswang rituals, so he has to spend his time in prayer. For one, the bird inside him started to moult at around sixty weeks of age. He’d got a healthy appetite for blood and liver.

He put a poultice over his stomach. The witch-doctor raised his tutelary ghost, that he might get well, and he did.

‘You need strength of mind to stand up for yourself.’ The witch-doctor was deep, mystical woman. Her voice was warm with friendship and respect.

She raised the stone by magic. She lifted her glass of blood and took a quick swallow. Edgar’s eyes seemed slightly dilated, he nearly jumped out of his skin when he saw it. He was too weak to move or think or speak, however.

She plucked the black chickens’ feathers on their throats and then slit them, one by one. She dressed them.
The witch-doctor decided on roast black chicken and vegetables, with alopí, a rice-cake made of rice-flour mixed with sugar and coconut-meat, wrapped up in banana-leaves and boiled, to follow.

The witch-doctor’s family feasted well into the afternoon on black chicken, some bizarre vegetables, and alopí. Edgar stuck his greenish tongue out. It looked very long and sticky. His eyes seemed to bulge like those of a toad. He metamorphosed to a dog and emerged onto the living room. His ears stood erect. The witch-doctor and her helps dragged him back to the room. One helper burned incense. It then started to perfume the air. The witch-doctor tried an herbal remedy to calm him down.

A swarm of his hinúptanan composed of animals and birds encircled the house of the witch-doctor.  Some blackbird flew down and perched on the parapet outside his window. Some dogs were waiting for him under the house, as the flooring was made of bamboo. In the last five hours he’d undergone a physical transformation. He became a terrifying half-human, half creature with long fingernails, long snakelike hair, fiery eyes, black teeth, and the tusk of a wild boar. Edgar had to adopt so many disguises his prey wouldn't recognise him. In a month he needed to eat man beef at least five times, according to the witch-doctor.

‘Being an aswang is just a matter of practice.’ She rubbed the back of his neck and smiled ruefully at him. She handed him a cruet after she smeared him with oil from it.

Edgar flapped his wings keenly and flew away. With no idea of what to do for his next move, he hovered over a small village. Later, he salivated over something delicious, so he followed his nose. By instinct, he took the soft pith of a banana plant and licked it with relish. Then, he attacked a pregnant woman, strangling her with his tongue that hung down at great lengths, and the unborn child, and pulling out their livers. The woman seemed to have died a natural death, as the pith became the woman’s dead avatar.

Before dawn, he went home lugging a sow behind. He tied it to one of the trees in front of their house and ran in a rush inside the house to get his iPhone, as he wanted to take some photographs of the sow. He then uploaded them to his Tumblr.

Since then, he’d never been sick anymore, and he became a fully-fledged aswang. He became evasive, to the point of secretiveness.







Tuesday, 25 December 2012

Christmas

a poem by Roger B Rueda

is a huge baked ham, a proper dinner
with roast pork and bread sauce,
big wicker baskets
filled with apples, oranges,
and grapes.
It is no prayer.
It is psychological – never
spiritual nor devotional.
Yes, it is Psy blaring far and wide.
It is bangers all over.
It is Father Christmas.
It is iPhone 5 or Galaxy Note 2.
It is throwing a huge party,
huge platters of lasagne, and
buckets of Chickenjoy.
It is presents to wrap,
a Christmas tree to decorate
and carol singers at the door.
It is bottles of Happiness.
It is having quite
a good range of beers
or gins or red wines.
It is a huge shopping rush.
It is family reunions.
It is no Christ – Merry Mas, everyone!






Monday, 24 December 2012

Christmas Eve

a poem by Roger B Rueda

Bouquets of spices permeate the air,
tempting every nose
craving for a sumptuous
midnight spread.
The father is rushed
off his feet,
barbecuing chicken
and pork
kept in a mixture
of oil, vinegar, and
lemon grass, and
seasoned lightly with
salt and pepper.
The cauldrons are warbling
as the mother is julienning
the carrots and peppers.
The sister has gone shopping
for cake and wine.
The children are watching
Nickelodeon.
At 12, everyone sits down
at the table,
waiting for specials
served warm,
Oppa Gangnam Style
in the background.
The younger brother
has just woken up,
carrying his presents
from Father Christmas
through to the dining room.
They exchange presents.
Merry Christmas, greets
everyone.
Spoons and forks are clattering
against the bowls and plates.
Their laughter is filling
the new house.
Later, there follow audible burps.





Thursday, 29 November 2012

The Noun Clause

an essay by Roger B Rueda

The noun clause seems to be the most exciting part of the English language. This structure fascinates me and it is very impressive, I presume. There seems to be some mystifying effect on how they tart up the whole sentence – to appear more intricate or enigmatic. The noun clause is somewhat a seizer of ideas that seem to be difficult to grab hold of. It can carry the whole concept which is very composite and hard to enclose. It is a puffed-up subject or object. It is something that is humongous for the eyes and for the brain, yet an educated reader/listener can split it in isolation – like an anatomy of a country or of a human being.

I don’t know if the noun clause exists in other languages. I don't know, it does. (In Hiligaynon, the noun clause is somewhat similar to a nominalised sentence. It uses a prefix ‘pag-’ to transform a sentence into a nominative component that can be used as a subject or an object. )

In the that-clause, another form of the noun clause, the pleonastic ‘that’ seems to be a mysterious particle whose existence seems to be very cryptic. For one, it can be erased when it is used as an object – or even as complement for some special adjectives. ‘That’ here seems to be a decorative particle to mark an idea. Isn’t it something stimulating to think of – though how subtle it is.

One has to be good at all the different patterns of the sentence for one to be able to be good at formulating the noun clause. For one thing, the noun clause follows the rules of formulating a sentence. In constructing a sentence, one has to think through many things – the tense, the collocation, the concord, etc. A correct noun clause is easy to distinguish. The relative pronoun/adverb characterises the noun/adverb which all actions and concepts are focussed on – as perhaps it is a secret, or it is unknown – or something which uncertainty must be set to form an effect. The relative pronoun/adverb then tries to emphasise the missing noun as it can draw the attention of the reader/listener. Internally, it prepares our mind to what is omitted or what is being accentuated by the speaker/writer. The presence of a relative pronoun is a sort of clue that the reader/listener needs to prepare for what seems to be there.

The structure that the noun clause provides seems to be the occurrence (or locale) that helps ideas to settle there as if it was a cornucopia that gives space to every idea the speaker says. It is a sort of construction that seems to be difficult to handle, yet when it is controlled well with art, the effect in the sentence is very creative and creates an aesthetic appeal or unknowingness towards our subconscious, towards our complexity which we, too, fail to know well. It is the structure that holds our saneness and upholds our cognisance that is very long-winded and profound.

The noun clause collocates with some verbs and adjectives, so a careful use of them is essential. The speaker/writer needs to familiarise herself with what a structure will convey or what image it will generate. The speaker/writer needs to forget the structure of her own language and take on the structure of the noun clause – which is, yes, unique to the English language.

There are a lot of verbs that can be followed by a that-clause/wh-clause. I’ve checked the book ‘A Practical English Grammar’ and what the book has are ‘acknowledge,’ ‘admit,’ ‘advise,’ ‘agree,’ ‘allege,’ ‘announce,’ ‘appear,’ ‘arrange,’ ‘ask,’ ‘believe,’ ‘demand,’ ‘expect,’ ‘happen,’ ‘hear,’ ‘learn,’ ‘observe,’ ‘pretend,’ ‘realise,’ ‘recognise,’ ‘stipulate,’ ‘urge,’ ‘wish,’ ‘wonder’ amongst others.

Too, the that-clause follows a large number of abstract nouns. Some of them are ‘allegation,’ ‘announcement,’ ‘belief,’ ‘discovery,’ ‘fact,’ ‘fear,’ ‘guarantee,’ ‘hope,’ ‘knowledge,’ ‘news,’ ‘promise,’ ‘proposal,’ ‘report,’ ‘rumour,’ ‘suggestion,’ ‘suspicion.’ The that-clause’s role here is of course as appositive. The appositive in a way can act as adjective though primarily it is a noun. According to my Encarta, ‘appositive’ is something that describes words or phrases that refer to the same person or thing and have the same relationship to other sentence elements. The effect then is to clarify what seems to be curt or incomplete. It explicates something that is not well recognised or vague or imprecise.

In any case, anyone who wants to study the noun clause needs to be good at identifying all kinds of verbs – whether it is an action, linking, or helping one. Then she should also know how the subject/object is completed and how it is replaced into a relative pronoun/adverb.

A good guide, too, is imperative. For one, not all verbs/nouns/adjectives can collocate with the noun clause. Accordingly, I want to recommend ‘A Practical English Grammar,’ by AJ Thomson and AV Martinet. A good dictionary can also help you, but it seems it’ll take you ages to leaf through the entire dictionary and catch on what words collocate with the noun clause.













Monday, 26 November 2012

A Poem for Leah & Gyojin

by Roger B Rueda

Newly spliced, you, Leah & Gyojin, have turned into a loop,
full, related, and perpetual,
you are in one piece,  but boundless,
you are one and you will live as one,
but with infinite others
circled round you,
your nuptials are
neither start nor finish,
but a usual headway
of your tying the knot,
which finds you destined
but not delimited, all that was
dispersed brings forth and rolls,
tenderly, towards the joint pathway
of your yet to come,
on the underpinning
of past knowledge,
you build contemporary household,
an expanse of love,
a growing quarter
of fresh and timeworn,
radiating love, graceful
and magnificent taking,
you find all things mirrored back at you,
everything is offered for,
together you shape your ensuing life time,
it is all-encompassing,
convivial and unstinting,
the sumptuous well-being
of your self-made vastness,
helps you to live daringly and devoid of boundaries,
here you foster each other,
blossom, and bourgeon,
all annals are yours now,
set forth by you, prepared by you,
resilient footings incessantly suckle you,
everything is likely, you mellow, you build,
you share everlastingly now, and clasping hands,
you look up, get ready – there is still far to cross.




















11 November 2012, General Luna Street, Iloilo City, Philippines

Tuesday, 24 July 2012

Everyone's invited!


The Launch of 
Roger B Rueda's 'Solitude: Poems' (ISBN 978-971-95441-0-4)
7 September 2012, 1 PM-5PM
Department of English
Quezon Hall
West Visayas State University at La Paz


Ring 09051028660 or 5088794 for more information.

Monday, 2 July 2012

Nelly, Donna, Ruby, Robin & Bucay


an essay by Roger B Rueda

Nelly and Donna had to limp off with a leg injury. So they settled themselves on the cardboard box I’d made for them. They looked peaceful and a bit happy despite their condition. They’d gaze at me with a soft, contented smile on their eyes. It was the first time I ran my eyes over a chicken eye.

They had a healthy appetite. They were not fussy about their food. All of five days, they seemed to know their situation. They’d peck at whatever they could eat. They’d cleverly pick up on what I told them as if they had had intelligence of their own.

Days passed fast. The two chicks began to grow as podgy chickens. I needed to find a bigger cardboard box where I could put them. They were strong chickens but they were not very energetic. It seemed that they had realised their condition as early as I first brought them home. They seemed to know that they were laid up. We had struck up a close friendship with each other since then. Their trills had become familiar to me. And how I opened the door in the kitchen had also become familiar to them as they’d hop down a step from the box.

Never did I think I’d raise chickens. Of course at home we had some chickens but no one took care of them except my grandmother. Those chickens were sort of wild because it was not easy to lay hold of them. They couldn’t even be felt as I liked caressing chicken because they were very elusive. They’d go away at the sight of me or anybody else save perhaps I’d call them for grains of corn or rice.

It was my boss’s sister Manang Ruby, who made me get down to raising chickens. She supplied the community Kabir chicks and since I was working for her sister, the dean of ISCOF Graduate School, she asked me to take orders from my friends and co-workers. It was exciting aside from a commission I’d get for getting orders of her chicks.

When the chicks were delivered, everyone was excited to choose their own chicks. It was the most delightful scene I’d ever seen. Some chicks looked thin and their feet, finely boned. Some complained about their chicks, which seemed unhealthy and weak. Some complained that their chicks had a leg injury. Our cashier Nelly and my friend Donna really didn’t like their chicks, whose leg injury was awful. Me, either. I didn’t like to have them because I thought it was not easy to take care of lame chicks. Besides, I didn’t have any plan of having chickens at home. To get orders from friends and deliver the chicks to them was my only plan to do. I knew my situation. The office, where I was working for, was one of the busiest offices in the college, so rearing chickens seemed to be an impossible task to do. It was like committing suicide. For one, I had a lot of unaccomplished things to do – my poetry and my fiction. When I graduated from university I promised to myself that whatever would happen I’d never forget writing. Writing for me is the only thing I shouldn’t forget. I work to keep up my writing, which is the exhibition of my life's work.

But my kindness came about. So the two chicks had to be brought home. I needed to go to the market, just a tricycle ride away. I had to ask the clerk what feed was good for a day old chicks. I bought a kilo of starter feed and excitedly went back home. The two chicks were as if waiting for me as if I had been their mother. They were chirping, and I could feel the pain in their legs.

The chickens grew up fast as if by magic. They just became part of my life and I thought all my life would be about them. I forgot writing a short time. I was more excited to see how they moulted and changed their feathers. Kabirs have unique feather colour patterns, I realised. I heard of Kabir chickens but never had I seen one. My excitement seemed almost unbearable.

When my chickens were fully matured, there I saw what a Kabir chicken looked like. They were a bit fat and large. They were never elusive like the native chickens my grandmother had. I liked the smoothness of their velvety feathers – I’d take them in my arm specially that their size was twofold more than that of a Bisaya. I liked brushing their rotund feet.

When I watched TV, they’d just stayed quiet in the cardboard box despite its being so small for the two of them. They’d avoid being restless. They seemed to enjoy, too, what I was watching. I thought one time that chickens were like humans, too. They could enjoy what humans would enjoy. Their behaviour made me love them or learn to love them like my real babies because I thought of them as my babies. There seemed to have a lot of emotional attachment between us.

I’d feed the chickens three times a day. I was not supposed to do that, but I was worried that they’d get hungry. So, I needed to go home at lunchtime to see if they were still OK. My grandmother, for one, didn’t care if my chickens were still in the cardboard box or were already on the floor.

Another batch of chicks came. A black Kabir, the most unique one, caught my eye. I bought it and I called it Ruby because I got it from Manang Ruby. The chick was very energetic. It could jump over the cardboard box. It ran around the box. It seemed it was tireless.

After a week, I saw its wing feathers grow. It was uniquely black. It made me too much excited because I’d never seen a chicken, which was all black. Yes, its beak, feet, and flesh were all black. It’d preen itself often. I’d sometimes bring it to the garden in the backyard. It’d splash in the dust and dried leaves. It’d range over the whole place.

Of course, all my chickens had been the centre of my attention. I’d see them every so often to relieve the boredom of my job. For me, my chickens were lovely, mesmerising me mysteriously.

When Ruby matured and almost to lay eggs, she got lost. I almost went crazy.  I blamed myself for letting her stray about. I should have let her stay in her cage, I thought. I even asked everyone I met at the neighbourhood about her. Desperate with anxiety, I searched the whole village. Well, Ruby must be dead, I thought or must have been pinched.

One morning, I was sipping at my coffee in the balcony of our house. Ruby emerged naturally. A rooster chased her and they all headed to the sugarcane field. So, I crept through the dense blades of sugarcane field. After minutes of searching for her and the rooster, finally, I found her. I could see her nest on the dried leaves of sugarcane. She was sitting there timidly, some black feathers about it. I came near her and picked her up. It was quite a shock to see her eggs in the nest. There were around twelve eggs in there. The eggs were big and a bit pale pink. It was my first time to see eggs with very distinctive colour and the shells were very thick the way I felt them. They were quite hot. Ruby seemed relaxed, as if she understood what I was doing.

I needed to bring Ruby home, she in my arm, but creeping through the grasses to get out of the field was not easy for me. It seemed I lost my direction, so I just followed a path. I didn’t dare go to another place specially if there were a lot of vines growing up the blades – an indication that it was not a path to go out because no one had passed through it.

Finally, I went home with Ruby. I put her carefully in her cage. I needed to go back to the sugarcane field to gather her eggs because she needed to continue hatching her eggs in her new nest.

Luckily, the next day, a Saturday, I met Flosel, a graduate student, who told me about her poultry farm. She and her husband raised chickens by themselves. Her husband had improvised an incubator and it used a kerosene lamp. Listening to her, I was interested in her incubator. I was afraid that Ruby might not hatch her eggs anymore because I had interrupted her hatching her eggs.

I went to Dumangas, it was just a tricycle ride away from ISCOF, to buy an incubator from Flosel. That time I was so unfamiliar with the place. I was keen on going, though. When I closed my eyes, I could conjure up the chicks I could produce with the incubator.

Flosel at first was indisposed to sell her improvised incubator, but I managed to sway her. Her husband took the incubator from a hut at the back of their house. It was made of Styrofoam. There was a glass pane in the other side for me to see if the eggs were all right. I put the incubator on the roof of the tricycle and we drove off to Tiwi, a barangay where ISCOF is.

The driver carried the incubator through to the kitchen. As soon as we laid the incubator on the table, I set up the incubator. I was impressed by the quality it was made with. I was excited to know how an incubator would hatch eggs. So in the evening, I started to place all of Ruby’s eggs in the incubator. The incubator had a thermometer inside to monitor the temperature of the incubator. I needed to maintain a temperature of 36 degrees and I need to adjust the wick of the lamp whenever the temperature got higher than 36 degrees.

After seventeen days, only an egg got hatched. Seeing the egg hatch out for the first time is a moment that I will never forget. I got absent from my work to see what happened during the bringing forth. The chick looked like Ruby when she was a chick then, too. The only difference was that it was a bit small. All the other eggs went bad. The potpourri of smells in the air was quite foul. The whole kitchen stank like a sewer.

Ruby’s little chick grew a robust cock, the only black cock I’d seen in my whole life so far. It asserted himself from the moment of his birth, crying lustily when he was hungry. Now it was a red-blooded cock. I called him Robin.

***

At BNPI where I was assigned to hold office by the dean, I met a high school teacher Martha. She knew many things. She amazed me by her chickens at home when one time I came to visit her in her house in Tabucan, a barangay which is just a tricycle ride away. Her house was a bit far from the highway. She had some dogs, so I needed to hide behind Ma’am Martha. I have a phobia about dogs, you know. She shooed her dogs out of the front yard. Her husband was in the living room when we entered. Ma’am Martha introduced me to him and his eyebrows were arched in supercilious surprise. He, though quite old, looked fetching though he got some grey hairs. He seemed aloof and detached. I didn’t mind him.

Towards the door, there was a case of Coke. Ma’am Martha took out a bottle of Coke and asked him to crush the ice. He did it fast and placed it in a glass and tipped the Coke into it. She served it to me. I sipped at the glass and then put it down.

When Ma’am Martha and her husband went inside their room, I went to the living room. I looked at the wedding picture on the wall. Then her husband’s diploma caught my eye. He read philosophy at DLSU. How come he was a bum, I thought. Ma’am Martha had told me that her husband only stayed at home. He bred chickens and ducks. The whole thing seemed very mysterious to me. What I tended to think was his fondness of birds.

When Ma’am Martha and his husband went out of the room, she invited me to their fiesta. She would give me guinea fowl, a kind of food I hadn’t tried, if I came. The bird looked very pretty and fleecy. I asked her if I could buy a guinea fowl, but she had only a pair, the two others for the fiesta. In its place, she suggested to me a Chinese chicken. I eyed the chicken at Ma’am Martha's elbow. I was absolutely mesmerised by its curly feathers. I drew near the cage and opened it. I dandled the chicken. I called her Bucay because the chicken was all white – from its beak to legs. I paid Ma’am Martha Php 150 for the chicken. The chicken was quiet even when I placed her in a plastic bag. When I arrived home in Tiwi, I let her out of the plastic bag. She as if familiarised herself with her new place – she prowled around the backyard.

Bucay grew up soon and Robin didn’t peck her anymore. She often warbled. They seemed to be close now as Bucay was being covered by Robin when I saw them one Sunday afternoon. The next day, Bucay had laid an egg.  When she yielded around eight eggs, I placed the seven in the incubator. She brought in seven more eggs.

I was so excited to see the chicks of Bucay. I tended to imagine how the chicks would look like. I'd stayed up late to watch the eggs hatch. The black chicks appeared like magic. I was very happy. It was an interesting thing to see. The chicks chirped faster and louder when I placed them in a cardboard box. They were strapping chicks and I was sure they’d grow well.

***
On Sundays, I’d bring Nelly and Donna to the front yard of the house. I wanted them to peck in the dust or grass. They would prowl innocently in the yard. Bucay, Ruby, and Robin would move about the two lame chickens. I’d watched them scratch around. Our bonding occurred naturally.

***
Manang Ruby had got new Kabir chicks. I bought thirty chicks. I asked Toto Jake to make me a coop, which I spent around Php 2500 for. It was made of bamboo. Toto Jake is the husband of a grandmother whose house was beside mine. He is good at simple carpentry.

The coop had three compartments. The two compartments had the Kabir chicks. The third one had my quails I bought from Tuburan, a barangay in Pototan but it’s so near Barotac Nuevo. Since I happened to meet a classmate at the Graduate School who knew where I could buy some quails, I decided immediately to go to Tuburan with her at 5 PM. I was unfamiliar with the place, but my exhilaration of the birds was very outward.

We arrived in Tuburan at dusk. My classmate shepherded me to the house where quails were for sale.

‘Good evening,’ I approached an old woman as she was heading to the gate to meet us. She only smiled. She spoke Tagalog the way I heard her.

‘My friend is looking for quails,’ told her by my friend.

‘Ah, come in.’ The woman got an idea about my real purpose of going there. ‘I got new quails here.
Please follow me.’ She suddenly called out his husband’s name, which I can’t recall now. Of course, my only purpose was to be able to buy quails.

An old man came out of the kitchen. He went towards the coop. He tried to catch a quail and showed it to me.

‘Yes, I like it. Please give me twenty quails.’ I didn’t have enough money so twenty were just all right for a while. I thought of going back there alone the next week. I’d got a free wire cage. I paid her Php 1400 for the twenty quails.

My whole house became an aviary, yet seeing my birds every day seemed to be my real joy. It became my therapy. Seeing them almost every morning relieved much of my stress.

Of course, Nelly and Donna inspired me to try out all sorts of birds. I was even interested in ducks specially wild ducks, which I used to see when I was young when my grandmother brought me to a fishpond. I was amazed at how a duck could fly like a bird. I liked thinking of how I could domesticate the wild duck. I always asked myself of how a wild duck happened to be a wild duck.

When I went to Martha’s house, I bought from her some duck eggs, around 50 I think. Then I incubated the eggs. It really awed me to see the ducklings of yellow and black. It was fun to take care of ducklings.

At lunchtime, I’d visit the room of a PE teacher Yolanda. She was from Dumangas. She happened to mention to me that she had some Muscovy ducks at home. I asked her how to take care of the ducks and after knowing everything about the ducks, I asked her if she could sell me some ducklings.

The next day, Ma’am Yolanda brought me ten ducklings. They were inside a carton box. She made some small holes for the ducklings to suck in air.

***

I slaughtered a Kabir. I had a hard time choosing which one to kill.  All my Kabirs were very lovely. I found it painful to butcher a chicken I’d raised by myself.

I slit its throat, causing it to spurt blood. I felt how the chicken was betrayed. It gave a shiver of pain and finally death. When it flaked out, I poured it with hot water.  I dressed the Kabir meat like the way I’d prepare any meat I bought from Talipapa, a small shop of household products along the highway.

When the meat was done, I tried to sip at its broth. Yes, the taste was good. But while eating, the image of the charming chicken lingered in my mind. I was hungry, yet I could not devour the meat the way I’d scoff chicken when I was hungry. I was very sad and guilt-ridden.

Since then, I promised not to eat any chicken I had raised myself.

***

One day, I found some big eggs in the grass. The ducklings I bought from Ma’am Yolanda without my noticing them had grown into duck hens. I immediately picked up the eggs and placed them in the incubator.

Months passed so fast. My house was indeed an aviary.

What was amazing, too, was that most of my neighbours’ chickens had turned either black or white and their feathers became curly like my chickens, Bucay and Robin. My Kabirs didn’t go out, so they couldn’t propagate their inheritable factors.

***

Straight away, I resigned from my job in the Graduate School. My problem began then: I needed someone to take care of my birds while I was away. But no one would. Above and beyond, rearing birds needed a lot of money. Their feed was expensive. For one, all my money went to my birds’ feed. My birds were voracious, I think.

When I was accepted to teach at another college, I needed to sell my birds to my neighbours. I freed all the quails in the sugarcane field. Some children hunted the birds and I didn’t know if I’d be happy or not. The children could take care of the quails while in the sugarcane field, they might be put at risk. The sugarcane field had a lot of rats and mice and so it was a dangerous place, a back of beyond, for the quails. I bemoaned why I suddenly released them into the wild.

I sold the ducks to Toto Tonio, my aunt’s husband and whose house was in front of mine. I’ve heard he made duck tim of my ducks. Toto Jake sold my thirty Kabir chickens to someone in the town. The next day, the thirteenth of June, was the town’s fiesta day. I stared over my sunglasses with a long, doleful look of disbelief. I sniffed and felt woebegone.

Nelly and Donna were looking sadly at me. All the three chickens seemed to ignore me as if they already knew their lot. They were so quiet as if they had been in a sulk. I wanted to cry but held it back. I didn’t shed a single tear. When a neighbour handed to me my money, I took my luggage and dragged it to the main road, but the memory of my chickens made me writhe with pang of conscience.

The next day, I’d taken up another job in a college in Iloilo City.

I don’t want to hear any news about my chickens. Of course, it has been nine years since I left Barotac Nuevo. A wimp, it seems I’ve run away, leaving behind the memories of my chickens.


Friday, 22 June 2012

Sa Ukay-Ukay


a binalaybay by Roger B Rueda

Sa ukay-ukay, ukay-ukay gid ang tanan.
Ukay diri, ukay didto.
May ara nga nagaluhod
sang pili, may ara nga daw wala
pakadtuan, ang iban galalambing
na sang ila napilian.
May ara man nga ginakagab-ihan.
May ara man nga nagaagiagi lang,
kuno abi wala sia iya gasuksok
bayo halin sa ukay-ukay.
Dugaydugay, ang bata
sang haciendera
nag-abot kag nangukay man.
Amo man ang sosyalera
nga manunulat sang pagkaon
kag tag-iya sang mga bantog
nga kalan-an.
Sa ukay-ukay, ukay-ukay gid ang tanan.

Wednesday, 20 June 2012

Suba sang Iloilo

a binalaybay by Roger B Rueda

Sang una, ang suba sang Iloilo damu
nagalangoylangoy nga maduagon
nga putos sang kalanönon.
Ang mga bata tapos kaon sang ila
balon, dayon dalagan sa taytay
kag didto ila ihulabog
ang nanarisari nga plastik
nga nanarisari man ang duag
kag kadakuon.
Katahum sa ila tulukon.
Daw nagahampanghampang
lang sila sa babaw sang taytay
samtang ang ila mga nanay
nagayuhumyuhum.
‘Toto kag Inday,
tapos kaon, ipalak ninyo
inang putos didto,’
dayon tudlo sang taytay.
Ang iban didto man gapamusön.
Ang mga pamalay
sa suba ang ila ugsaran.
Ang iban nga mga bata
kasadya nga nagalangoylangoy
sa malaata nga tubigsuba.
Subong  ang suba maduagon
man gihapon.
Damu bangibangi
sa panghigadon.
Wala na ang mga plastik
nga nagautawütaw sa tubig
kundi mga panganod na
kag mga pispis nga
nagalupadlupad sa idalum sang tubigsuba.



Monday, 18 June 2012

Purple Puto

a poem by Roger B Rueda

Was being had for lunch by a couple,
their faces looking famished,
pale, underfed,
their clothes – ukay-ukay ones
were much better,
an elevated patch of plants
their seat.
At our approach they hid
themselves behind a luxury car
and a squad car
parked along the street
across from a hall of justice
jarred by an earthquake.
I tried to point at the purple puto
they were eating but my friends
carrying their Chowking
and Greenwich takeaways
hadn’t got interested in it
as we all were about
to enter a hotel,
just happy about the colour.
I turned my face back
to sneak  a look at the couple
to see what they were doing:
They were kissing and cuddling
in front of scooting passers-by,
feeding each other
the purple puto. My friends were
busy with their iPhones and Samsungs.









Saturday, 16 June 2012

Aga Pa Taksi Na

a binalaybay by Roger B Rueda

Ang mga bata nagabarangisi
samtang sila nagataksi –
ang ila tingong gapalanglapaw,
hala daw walay katapusan
nga kinalipay, nga binahigay,
ang ila mga nanay 
saku inistoryahanay –
nagahingutänay,
nagalinagsanay,
nagasinuyaay,
kag nagalibakanay.
Sa punta ayon may nagatumpok 
nga higku sang idu, ginalangawan,
may ara man nga ginlapta
sang nagägi nga salakyan,
mauluaslum sa panimahuan.
Dugaydugay inaway,
singgitanay.
Dala lang ina sang hilab sang tiyan 
kay may ara pa nga
wala pa kapamahaw
kay indi na sila pagpautangon sang
tupad-balay kay wala pa  nakayö 
ang sikad nga ginaarkilahan sang ila amay.



















Taksi means coin game. A player has to knock all the coins in a grid, from the starting point.


Monday, 11 June 2012

Wild Grasses


a poem by Roger B Rueda

All of eight, I’d pull up wild grasses
like our neighbour’s gay boarder
removing
his moustache with a straight,
firm pull with tweezers,
or our neighbour
shaving her leg hairs off.
When I went for a walk
with my grandmother, Nanay,
I’d nip the shoots
of wild grasses along the road.
I’d smile to think
how useless they were.
When Nanay called my name,
I'd jump to my feet
and lobe the shoots
onto the sky.
It'd send the birds flying away,
fazing them.
Now I wag my head sorrowfully.