as the day breaks they are cutting the cane the slave cane
whose nightflowers of rubicund and rosy
are hiding their revelries from rays and view,
that rears over its cutters cracking and whizzing
with the immobilised vigour of a hungry peasantry;
that is a nightmarish crowd of androids, a ferocious
thick inflow of spikes and flapping buntings,
surging recalcitrantly and unable to rush onward,
checked by centuries of slavery that have bred it almost
seedless and sterile, needing man for
each new generation that's grown from the speartips
of those cut and crushed
by cohorts of men who are barely more free:
and where the cleared ground ends
they antagonise each other
the cane that is slave to its planter and cutter,
the cutter near slave to the owner of cane
in the dizzy heat of midday they are cutting the cane
bottles of water and white rum lie in the shade of slashed branches
with white rum and red wrath they are cutting the cane
hewing the thin skeletons for the marrows melodiousness
with cutlasses that live in contempt of bone
the bone of the neighbour who looks at your wife
the bone of your wife who's run back to her mother
the bone of your friend who's been seen with your boyfriend
every livid grievance can be cut out with a cutlass
but not the protest of cutting the cane for a pittance:
both cane and cutter carry leaf blades for the owner
in the calm of the evening they are cutting the cane
the infinite cane, the cane they make infinite,
the cane like themselves, like the arms of the starving,
the sweet cane that leaves an acerbic taste in the mouths of its reapers
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