In essence, the world is moved by the delicate machinery of speech. And though power may lie in the sword, it is the word—its coaxings, insinuations, and lyric threats—that commands us most. We secure concessions, inspire longing, and even break hearts not with force, but with syllables. When we want others to believe as we believe, to move as we move, we speak—not always truth, but always with intent. There is no reprieve from the subtle seduction of language.
Indeed, words maneuver not only meaning but emotion. They lean into our minds with the weight of old memory, of a half-forgotten song or the way a loved one once spoke. Some are rich with context; others are newly born, fresh with the irreverence and invention of youth. So let us then, for the leisure and liberty of summer, dwell briefly in a playful—and oddly poignant—catalogue of language.
Take accessit, for instance—so elegant a word for almost winning. There is generosity in its spirit: to acknowledge the one nearest the prize. It reminds me of stories that don’t claim the top shelf but linger longest in memory. Butch Dalisay’s Agcalan Point, for example, holds its own beside Deriada’s The Day of the Locusts, with the quiet dignity of an accessit.
Aiguille—sharp, slender, dangerous with possibility. A needle or a peak. One climbs, or is pricked.
Balling, blazing, blasting—all signs of exuberance, each with its own register of joy. To be balling is to possess wealth with the lightness of ease. To be blazing is to carry beauty like heat. To say something is a blast is to fold joy into the moment like a ribbon of wind in the hair.
There are odd, almost comical ones—cattywompus, for instance, which offers the mind an image both crooked and precise. A life lived cattywompus is one askew, but not necessarily lost. A wastebasket just out of reach, a car needing realignment—these are metaphors if one allows them to be.
Then there are words that trouble or disarm—onion as a slur for police, quone for an unreasoned desire, refry as the ghost of a cigarette. These utterances whisper to us about the lives behind them—lives that negotiate grief, addiction, poverty, longing. Language, after all, grows where it is most needed.
And finally, we arrive at the zany tail of the alphabet: zing, zoodled, and their companions. These words puncture formality. They laugh in the face of Latin roots and classroom correctness. They are vernacular in its purest delight. Retail therapy, xyz, yark, walmart—each a snapshot, a vernacular shorthand for our modern rituals and absurdities.
In the end, each word is a little fable. It tells us where it came from, who used it, and why. Some seduce. Some defend. Some merely mark the seasons.
But in their gathering, we find more than just trend. We find a mirror—quirked, often distorted, yet true. For how else do we trace the soul of a culture but through the sounds it makes when it forgets it is being watched?
So here, in this summer of vivid afternoons and overheard conversations, may you catch a word, like a leaf in wind. May you taste its newness, and know—however briefly—the strange, glimmering thrill of meaning just made.
Have your shout and murmur at inkslinger215@live.com. Enjoy your summer.